This album marks a shift from the six fragmented singles that preceded it into something more deliberate, more architectural, and somehow more personal. This record builds a room and locks you inside it. From the intimacy of a bathtub to the scale of an empire in ash. Grief becomes judgment becomes act becomes abyss. There is no catharsis, only the architecture of collapse.

An abrasive reimagining of pop culture through the lens of extreme metal. The title says it all - confrontational, unapologetic, and impossible to ignore.

Cast out and condemned, yet still all up in your DMs. Where is the line between spiritual excommunication and trying to rid yourself of a toxic lover? Are they any different?

This is not for you. A love letter to The Navidson Record.

An ambitious and frankly unnecessary cover of Morbid Angel's 'Hatework' from 1995's absolutely slapping album 'Domination'. Not included: Azagthoth level soloing & Sandoval blasts.

A seething slow burn that turns into an auditory house fire you cannot escape.

It's just like daddy used to say: "THAT'S HOW THEY GET 'YA"